Our information to town’s finest classical music and opera taking place this weekend and within the week forward.
‘4.48 PSYCHOSIS’ on the Baruch Performing Arts Middle (Jan. 5-6, 8-9, 11-12, Eight p.m.) It’s a mark of the Prototype Pageant’s stature as a pure house for up to date opera and music-theater that, from its scrappy origins only some years in the past, it’s now internet hosting a production that had its premiere at Covent Backyard in London. Philip Venables’ adaptation of Sarah Kane’s final play is directed by Ted Huffman and options Richard Baker conducting the ensemble Contemporaneous.
BENJAMIN APPL on the Park Avenue Armory (Jan. 6, Three p.m., Jan. 8 & 10, 7:30 p.m.) Appl is maybe the main younger voice within the technology following on from the one dominated by Christian Gerhaher, and right here he introduces himself in his North American recital debuts with the trilogy of late Schubert track cycles, sung within the plush Board of Officers Room: “Die Schöne Müllerin” on Sunday, “Schwanengesang” on Tuesday, and “Winterreise” on Thursday. James Baillieu is the pianist.
ARTEK at Corpus Christi Church (Jan 10-11, Eight p.m.) Celebrating the completion of a recording, this excellent early music group provides a complete account unfold over two nights of Guide 7 the Madrigals by Monteverdi, a composer with whom they’ve had a long and productive relationship.
‘CARMEN’ on the Metropolitan Opera (Jan. 9, Eight p.m., by means of Feb. 8) Carmen returns to the Met’s stage for the second time this season, in Richard Eyre’s staging. The Carmen remains Clémentine Margaine, joined now by Roberto Alagna as Don José, Aleksandra Kurzak as Micaëla and Alexander Vinogradov as Escamillo. Louis Langrée conducts.
NEW YORK PHILHARMONIC at David Geffen Corridor (Jan. 10, 7:30 p.m., by means of Jan. 12) The up-and-coming conductor Jakub Hrusa is on the rostrum on the Philharmonic this week, and brings with him music from his native Czech Republic within the type of Charles Mackerras’ suite from Janacek’s “The Crafty Little Vixen.” Additionally on the invoice are Rimsky-Korsakov’s “Scheherazade” and Prokofiev’s Piano Concerto No.3, with Simon Trpceski on the keyboard.
‘PARTITA FOR Eight VOICES’ in Occasions Sq. (Jan. 7, Four p.m. & 7 p.m.) Caroline Shaw’s still-wondrous rating, sung as ever by the vocal ensemble Roomful of Enamel, is staged in Occasions Sq. with free admission. Curated by Raul Zbengheci and directed by Ximena Garnica, the efficiency additionally options dancers from the Leimay Ensemble.
‘PRISM’ at La MaMa (Jan. 6-7, 9-12, 7:30 p.m.) In the midst of praising this new opera — with a libretto by Roxie Perkins — upon its debut final November, the Los Angeles Occasions critic Mark Swed wrote that the composer Ellen Reid “is a significant voice to this point primarily acknowledged solely in L.A.” Allow us to hope that modifications with these performances, directed by James Darrah, and in probably the most competent of musical arms, with Julian Wachner conducting the Choir of Trinity Wall Avenue and NOVUS NY.