The Playlist: Beyoncé’s ‘Lion King’ Anthem, and 9 More New Songs

The Playlist: Beyoncé’s ‘Lion King’ Anthem, and 9 More New Songs


Beyoncé brings full gospel dynamics — and units apart the unique Broadway rating — in her showpiece for the remake of “The Lion King.” She belts, “Your future is coming shut — arise and battle!” The track’s intro chants “Lengthy reside the king” in Swahili, however Beyoncé’s exhortation isn’t just for this lion king — it’s for each righteous striver dealing with doubts. Her vocal, urged on by a choir, builds in wave after wave, from breathy eagerness to full-throated cry, then topped by a unique type of humility at its peak: simply piano and Beyoncé’s soprano, envisioning a biblical transcendence, “to be one with the Nice I Am.” JON PARELES

The excellent news is that regardless that pop music has iterated previous him a few instances over, Justin Bieber is nimble sufficient to maintain up. On this new model of Billie Eilish’s swinging “Dangerous Man,” Bieber sings with the identical robot-doing-cabaret cadence as his host. He touches on his tattoos, his jewellery, his want for extra sleep — a Sinatra for the SoundCloud period. JON CARAMANICA

A convincing Southern-rock stomper from Angelica Garcia, who has a ferociously quavering voice and an much more ferocious sense of objective. “It Don’t Hinder Me” is a press release of cultural delight and social resistance: “I need the cooking that my grandma made/I need the mattress that I used to be yelled at to make.” This sharp track is rowdier and swampier than Garcia’s 2016 debut album “Drugs for Birds,” an indication of a singer getting ever extra comfy, and ever much less bothered. CARAMANICA

As of now there isn’t a American award — not the Grammy, not the Pulitzer, not the Oscar or the Tony — that would adequately reward the miracle that’s the endless rollout of “Outdated City Highway.” Every time it courts loss of life, it pivots. This newest model is the one you’d ask for in a fantasy however by no means suppose was potential. Billy Ray Cyrus remains to be right here, crooning. After which there’s Younger Thug, much less nonsensical than traditional, sport to be in on the joke. However the crowning second is on the finish, with the arrival of the viral yodeling preteen Mason Ramsey, who exhibits as much as sing about his Razor scooter, cows and his giddy-up. It’s the right twist ending to this internet-born-and-enabled saga: meme acknowledge meme. CARAMANICA

The Israeli duo Lola Marsh (the singer Yael Shoshana Cohen and the multi-instrumentalist Gil Landau) makes sweeping, cinematic music dripping in retro attraction and reverb. There are hints of Dum Dum Women, Elle King and Lana Del Rey within the group’s new observe “Echoes,” a lush seaside blanket bop wiggling with dramatic vitality. CARYN GANZ

Ed Sheeran: Profitable sufficient and highly effective sufficient and deep sufficient into his profession to orchestrate a chance to rap on the identical track as Eminem and 50 Cent; rhymes “misfit” with “Ipswich.”

Eminem: Far sufficient faraway from the height of his success and the height of his expertise that the chance to rap alongside Ed Sheeran isn’t an automated no; over-delivers, maybe out of delicate embarrassment.

50 Cent: Tries out a Sugarhill Gang move, hopes nobody is wanting. CARAMANICA

Swelling, underwater electrical bass; a grainy, distorted guitar that travels from woozy chords to neatly chopped rhythm; a excessive, corkscrewing horn half that would have been plucked off a radio sign within the Balkans, or perhaps North Africa. You’d count on nothing lower than this absorbing combine from Nérija, a septet to look at of younger London musicians. The group consists of the much-discussed younger tenor saxophonist Nubya Garcia and the trumpeter Sheila Maurice-Gray, who wrote this tune and takes a rewarding solo throughout a lot of the observe. Nérija has a debut album, “Blume,” due Aug. 2. RUSSONELLO

Right here’s a track about dreaming a few track about loss of life: “It had probably the most transferring chord adjustments/She was sure the lyrics went about burying somebody’s ashes after which having a cigarette.” Jenny Hval begins it as a bemused incantation over misty chords; then the beat is available in, the keyboards begin answering her with hooks, and her meta-pop musings verge on turning into pop themselves. PARELES

Anna Meredith writes chamber music with a minimalist’s fondness for repeated motifs and a rocker’s willingness to kick. The ingenious video for the instrumental “Paramour” diagrams it as a frenetic electric-train experience amid the hard-working ensemble — clarinet, keyboards, cello, drums, tuba, electrical guitar — pointing up simply what number of motifs Meredith mobilizes and tosses apart in solely 5 minutes. PARELES

Victor Gould by no means sounds completely comfortable on the piano, however that doesn’t imply he’s not in management. He performs in shapely, looping harmonies, with money owed to Hank Jones and Cedar Walton, however there’s some bodily battle, some audible work, in every gesture. That is what units him aside and beneath the sturdy, well-balanced move of his preparations, it’s the actual reward. “October” provides a glimpse of his abilities as an arranger — right here, for jazz sextet and strings — and his more and more distinctive voice as an improviser. The observe comes from Gould’s new album, “Ideas Turn out to be Issues.” RUSSONELLO



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